改编自萨德侯爵声名狼藉的小说《卧室的哲学》，基本上由影像和朗诵两部分组成，无对白，画外音念着小说的情节

Chroma 11 is an immersive experience based on the true story of lost love, that expands the boundaries of moving images with VR technology. Through clips of rearranged memories and volumetric video, the creative team reconstructs the parted souls in the form of a duo dance after life. 　　源自：https://www.ji-hlava.com/filmy/chroma-11

“黄金画面”指的是影视作品中能让观众在观看后产生强烈情绪，如赞叹、感动、兴奋等感受的画面，许多制作人穷尽一生都在追寻和捕捉这类画面。无制限探险队的骨干成员是香港某电视台的基层员工，其中有导演、撰稿人、摄影师、厨师、医生、动物专家，还有未出道的香港搞笑艺人组合程人富和Marco@P1X3L等人。这个团队成员背景多样，但目标一致，他们要全力以赴在充满野性的非洲土地上猎取足以冲击甚至打破香港电视史的“黄金画面”！

【黃金畫面】意指影視作品中觀眾看畢後會產生強烈情緒如讚嘆、感動，興奮等感受的畫面。很多製作人窮其一生都在追尋和捕捉這些畫面。無制限探險隊的主幹成員為香港某電視台的基層員工，當中由導演、撰稿、攝影師、廚師、醫生、動物專家和香港搞笑藝人組合(未出道) 程人富和Marco@P1X3L ⋯⋯ 等人組成，此團隊三尖八角但目標一致，就是要全力以赴在非洲這片充滿野性的土地上狩獵足以衝擊甚至乎打破香港電視史的黃．金．畫．面！

重い持病を抱え、ただ生きていることだけを求められてきた高校2年生・由希と、美しい歌声を持つ同級生・麻希を主人公とする本作。いつしか麻希と行動をともにするようになった由希は、世界を見返すべくバンドの結成を試みる。由希へ思いを寄せる軽音部の祐介は、2人を引き離そうと躍起になるが、結局は彼女たちの音楽作りに加担。そして3人の思いが交錯し、日常は一変していく。

重い持病を抱え、ただ生きていることだけを求められてきた高校2年生・由希と、美しい歌声を持つ同級生・麻希を主人公とする本作。いつしか麻希と行動をともにするようになった由希は、世界を見返すべくバンドの結成を試みる。由希へ思いを寄せる軽音部の祐介は、2人を引き離そうと躍起になるが、結局は彼女たちの音楽作りに加担。そして3人の思いが交錯し、日常は一変していく。

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

They’re the band that everybody has an opinion on, the band that spawned a thousand copyists but combusted too soon to achieve their true potential. In 2004, two years after releasing their first single, The Libertines split. Then in 2010, Carl Barat, Pete Doherty, John Hassall and Gary Powell reunited to play Reading and Leeds, the biggest shows of their career. 　　Frequently described as the UK’s most important music photographer and photojournalist, Roger Sargent was responsible for shooting many iconic photos of this acclaimed British band. His debut feature THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is an all-access music documentary that spans the period of time from the announcement of this reunion to the weekend of Reading and Leeds. With unrivalled access to their inner sanctum, Sargent’s aim was to look beyond tabloid headlines and give an intimate insight into a band reforming and friendships repaired. Rather than taking a strictly linear approach, it’s the spirit that Sargent wanted to capture: stories and moments retold and relived by the band themselves. This includes whimsical, romantic snapshots of the bands history told by band members in locations which resonate with them: for example, a day with Pete in Paris, and Carl giving a guided tour of the “Libertines East End” including a visit to Bethnal Green’s Libertine Alley which is graffiti-scrawled with song lyrics, and Brick Lane’s famous bagel shop. Profiling each band member individually and collectively – something which has never been done before – each of the boys have the chance to put their story in their way. Including access to rehearsals, warm-up gigs at The Forum, and the Reading/Leeds weekend, the film also makes use of Sargent’s unparalleled archive of photos, and altogether it’s as much about the band rediscovering The Libertines as everyone else. 　　Thanks to Roger’s long history with the band, The Libertines goes behind the tabloid headlines to give viewers unrivalled access to the love, laughter, passion and power of a band which united and inspired a generation.” 　　Following a brief sojourn at Melody Maker and ID Magazine, Roger Sargent went to NME, surviving trauma and trends for over a decade. Having worked for Rolling Stone, Mojo, Daily Telegraph, and The Guardian amongst others, he has most recently won critical and popular acclaim for two major exhibitions, The Libertines – Boys In The Band and Future Legends. An exhibition of his photography will run in Spitalfields Market for the duration of East End Film Festival. THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is his debut feature.

讲述靡了脱番后扔掉武士刀的武士野见勘十郎，与叛逆的女儿在流浪的途中，因为脱番而成为罪人被追捕。遭到逮捕后，勘十郎却因为遇到了被世间称作为奇人的…